Darío’s work has been widely exhibited and can be found in the collections of The Museum of Contemporary Art (MoCA), La Colección JUMEX, Nasher Museum of Art, Cisneros Fontanals Art Foundation (CIFO), Pizzuti Collection, Deutsche Bank Collection, et. May 2011, Artist on Their Art Series: Darío Escobar. Dario Escobar, “Escultura Transparente No.1″ [Transparent sculpture No.1] (detail), 2012, Series: Esculturas transparentes, Wood, rubber and steel, Variable dimensions, (dimensions of the room 8 x 12 x 6 meters- 315 x 472 1/2 x 236.25”) Site specific project.

The Blacksmith Project May 30 – July 19, 2013 Sin Titulo. David Rockefeller Center for Latin American Studies (DRCLAS) Harvard University. A total of 1,500 soccer balls each, Darío Escobar, Figure/Background I, 2011, wood, linen, acrylic gesso, 54.75 x 44.8 in, Darío Escobar, Square on Square 2, 2009, paper collage and ink, diptych, 17.25 x 26.3 in. https://en.wikipedia.org/w/index.php?title=Darío_Escobar&oldid=978896288, Pages using infobox artist with unknown parameters, Wikipedia articles with RKDartists identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, Uno a Uno: Darío Escobar y José Falconí. overall, Darío Escobar, Composition No.

2011: “Now” (Selección de obras de La Colección Jumex) Instituto Cultural Cabañas, Guadalajara, Mexico. El Museo del Barrio, New York City, NY, USA. [One on One: Darío Escobar and José Falconí] Auditorium AFP Integra at the Museum of Art of Lima MALI. 2009: “Périfériks”, (CAN) Centre D’art Neuchâtel, Switzerland. 2013: “California-Pacific Triennial”, (OCMA) Orange County Museum of Art, Newport Beach, California / (CC) Coastline Community college Art Gallery, Newport Beach, California, USA. 2009: “Los Impoliticos”, (PAN) Palazzo delle Arti Napoli, Naples, Italy. 1996: Arquitectura, Universidad Rafael Landivar, Ciudad de Guatemala, Guatemala. 331-345. I thought this idea was touched upon in some way in pre-Hispanic architecture with the shadows that form on staircases… I’ve always been particularly interested in archeology as well.”. Ed. In the show, the circles loosely suggested eyes watching the viewer observe the bumpers. Photo credits: Jorge Brantmayer.

Pizzuti Collection Fundación/Colección Jumex, México D.F., Mexico. “Me interesan mucho las ideas de Benjamin H. D. Buchloh, las cuales me parecen bastante acertadas ya que se refieren al arte contemporáneo y a la escultura como una mezcla entre objeto industrial y un monumento dentro de la tradición de las bellas artes. framed, Darío Escobar, Dibujo que no obedece al contorno No. Trabajando honradamente sacaremos adelante Chiquimulilla Approximate dimensions: 27'10" L x 13'2" W x 9'10" D, Darío Escobar, Lines of Flight, 2018, Josée Bienvenu Gallery, installation view, Darío Escobar, Construcción Modular No.12, 2017, woods, pigments, and metals, Darío Escobar, Obverse & Reverse XXXIV, 2017, leather, nylon, polystyrene, aluminum, stainless steel, Darío Escobar, Obverse & Reverse (Cloud XI), 2011, Latex, leather, string and steel, 53 x 55 x 31.5 in, Darío Escobar, Floor, 2015, installation view, Darío Escobar, Accidentes 2 (L), Accidentes 1 (R), 2006, Ink and graphite on paper, 66 x 42 in. overall, 13 x 17.25 each, Darío Escobar, Sixteen Handed Game, 2011, wood and bronze, 94.5 x78 x 63 in, Darío Escobar, Singular-Plural, 2012, installation view, SCAD Museum of Art, GA (courtesy of SCAD), Darío Escobar, Obverse & Reverse, 2010, leather, string, and steel, dimensions variable, four wall modules and three hanging modules, installation view, Art Basel Miami Beach, Darío Escobar, Obverse & Reverse, detail, 2010, installation view, Art Basel Miami Beach, Darío Escobar, Kukulkán, 2009, vulcanized rubber and steel, dimensions variable (maximum measurements, 65 x 65 x 23 feet) installation view, Venice Biennale, Darío Escobar, Quetzalcoatl,vulcanized rubber and steel, installation view, 2005 (courtesy of La Colección Jumex), Darío Escobar, Bicho No. Escobar’s exhibition at Proyectos Monclova took up the idea that one man’s trash is another man’s treasure as a means of expressing the intertwined but unequal relationship between the consumer economies of Guatemala and the United States. His second monograph Dario Escobar: The Life of the Object was published in 2017 and his largest public commission to date was inaugurated at the Atlanta Falcons Mercedes Benz Stadium. 2001: “I Tirana Biennial”, National Gallery & Chinese Pavilion, Tirana, Albania. His second monograph, Dario Escobar: The Life of the Object was recently published in 2017. Conceptual artist Dario Escobar’s large-scale installations made from sports equipment are not purely about play: Escobar uses these popular recreational objects to look at Guatamala’s history and culture in a global context. 15K likes. 2010: “Anverso y Reverso”, González y González, Santiago de Chile, Chile. 2007: “La Línea Interrumpida”, (CCM) Centro Cultural Metropolitano, Ciudad de Guatemala, Guatemala. Dario Escobar Chiquimulilla, Ciudad de Guatemala. MADC Museo de Arte y Diseño Contemporáneo, San José, Costa Rica. 2007: “The Hours: Visual Arts of Contemporary LAtin America”, Museum of Contemporary Art, Sydney, Australia. His work has been exhibited extensively at biennials, museums and galleries internationally. May 20 – September 3, 2010 Dario Escobar. The circular forms are portions of exposed paper that Escobar treated with a substance that repelled the oil. Recent exhibitions include: Lines of Flight, Josée Bienvenu Gallery, New York, NY (2018); The World’s Game: Fútbol and Contemporary Art, Pérez Art Museum Miami (PAMM), Miami, FL and Art Museum of the Americas, Washington D.C (2018); Mixografia, Los Angeles, CA (2017); Museum of Contemporary Art Santa Barbara, Santa Barbara, CA (2017); Children’s Museum of the Arts, New York (2016); Josée Bienvenu Galley, New York (2016); Casa Triangulo, Sao Paulo, Brazil (2016); Centro Cultural Sao Paulo, Brazil (2015), LACMA, Los Angeles County Museum of Art, CA (2014); Pizzuti Collection, Colombus, OH (2014); Museum of Latin American Art, Long Beach, CA (2013); The Museum of Contemporary Art MOCA, Los Angeles, CA (2011); 53rd Venice Biennale, Mundus Novus - Arte Contemporaneo de America Latina at the Artiglierie dell’Arsenale, Venice, IT (2009); La Colección Jumex, Mexico DF (2009).

Fue un verdadero ejercicio de libertad. each, 13.3 x 50.7 in. 2012: “Dario Escobar: Singular/Plural” (SCAD) Museum of Art, Savannah, Georgia / (SCAD) Atlanta – Gallery 1600, Atlanta, Georgia, USA.

His work is characterized by the investigation of formal and conceptual aspects of objects and their function in visual arts. The World's Premier Art Magazine since 1913. total, 13.75 x 11.78 in. Variaciones Sobre Un Mismo Elemento Nº 04, 2018. Location: Modulo I Colección del Museo de Arte Contemporáneo de Santiago de Chile MAC, Santiago de Chile, Chile. Mirar de Nuevo: El objeto reconsiderado. each, Darío Escobar, Composition No. Me interesaba comenzar a trabajar con la luz, con las sombras y con materiales que se mueven libremente sin obedecer las formas que les doy como escultor. 01, 2014, Linseed oil on cotton paper on artist studio frames, 30.7 x 46.8 in, Darío Escobar, Composition No. 4, 2008, wood, latex, steel, 1.2 x 16.7 x 7.87 in (unfolded), Darío Escobar, Bicho No. Send us a tip using our anonymous form. 2, 2012, cotton paper and paint, 66.75 x 42 in, Darío Escobar, Abstract Painting No. Dario Escobar.

each, Darío Escobar, Untitled, 2009, installation view, motor oil on paper and artist studio frames, 8 panels, 29 x 22 in. span.s1 {font-kerning: none}, Darío Escobar No obstante, al incorporar el objeto dentro de una operación estética como lo es el arte, nos lleva a un espacio de reflexión más estrecho y revelador. CIFO – Cisneros Fontanals Art Foundation, Miami, FL, USA. 2008: “Playtime”, Bétonsalon / Centre d’art et de recherche, Paris, France. April 2010. Hanging on the walls were a handful of Escobar’s “Circular Compositions” (2019), in which configurations of framed works on paper display geometric compositions of black fields and white circles and semicircles. MOLAA Museum of Latin American Art, Long Beach, CA, USA. 2013: “Y…¿entonces? 2016-2017 We want to hear from you! Cambridge, MA: Department of History of Art and Architecture, Harvard University, 2013, pp. 5, 2012, primed linen and paint, 67 x 47.25 in, Darío Escobar, Blacksmith Painting No.

MAC Museo de Arte Contemporáneo de Santiago de Chile, Santiago de Chile, Chile. In his work Escobar uses common and mass-produced materials in conjunction with traditional Guatemalan artisanal techniques and mythological references. “I am very interested in the ideas of Benjamin H. D. Buchloh, which seem to me quite accurate as they relate to contemporary art: sculpture as a cross between an industrial object and a monument within the fine arts tradition.

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